Our Arena

We sport the technology to make it happen

In addition to our digital strategy development process, REAL MEDIA is unique from other agencies because we house all the technology needed to engage digital audiences. – From a production sized green screen sound stage with full camera and lighting support to state-of-the-art animation, audio and editing studios.

If you’re a techie at heart, see below for details.


Our Visual Effects team uses a variety of software packages to create cutting edge effects. These include 3D Studio Max, AfterEffects, Discreet Combustion, Ultimatte AdvantEdge, RealViz MatchMover motion tracking software and a wide variety of plugins.


Our audio suite is equipped with the industry standard for audio production – ProTools. Our suite includes 2 sound isolation booths, precision microphones and preamps, a wide variety of plugins, 15,000+ sound effects, and 400+ discs of licensed buyout music.


Our multi-format editing suites are equipped with the latest technology in digital video editing in a variety of formats. Our AVID Adrenaline is loaded with the latest plugins and is equipped with over a terabyte of media storage. We can handle long form effects intensive projects that require heavy processing power and storage. Our secondary suite features a Discreet Logic editing system.


Our production area features a 20' x 20' 180-degree green screen sync wall with a full lighting grid, a fully functional shooting kitchen with a moveable island, gas cooktop, double oven, sink, microwave, refrigerator and dishwasher.



When creating a digital video, one of the most important requirements is that it is created in the appropriate format. Web videos need optimal compression rates and compatibility features, but broadcast commercials need to honor the specific requirements of the individual television station. In digital video, there are literally millions of settings and formats to consider.

Let us worry about all of that.

Whatever your project involves, we support any digital format that you might need. Our software supports nearly every type of raw digital footage and renders your video into almost any file type for any medium.


AVID Media Composer Nitris DX with Boris Continuum Complete, Sapphire, Ultimatte AdvantEdge plugins and over a 6 terabytes of media storage. Apple Final Cut Pro and 8-core Mac Pro editing system.


  • 800 sq. ft. green screen sound stage.
  • Wide assortment of studio and location lighting, including two Arri light kits
  • Full complement of c-stands, flags, and scrims
  • 7-foot jib
  • Dollies and track
  • Full location sound package with shotgun mics and a variety of wireless packages
  • Full camera support packages including tripods, fluid heads and assorted support gear.


  • 1 Sony HDW-F900 HDCAM with Canon HJ17ex7.7B lens, capable of shooting 24P, 25, 30 or 50i or 60i frame rates, including full raster 1920x1080 HD and 4:2:2 color space.
  • 1 XDCAM PDW-F350 HD with Fujinon XS17x5.5BRM-M38 lens, capable of recording at multiple frame rates and different bit rates, 35, 25 and 18 Mb/s to XDCAM discs.
  • 2 Panasonic SDX900 DVCPRO cameras with Canon IF lenses, 2X extenders with 16X9, 24P, 30P, and 60i capability.
  • 2 Panasonic Pro AG-DVX100A cameras with 16X9, 24P, 30P and 60i capability.



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